ROADSIDE IKEBANA
TWO FLOWERS, ONE LEAF
INTERTWINING CURVES
The other particularly abundant wildlife in our garden is the number and variety of birds. My friend John took this photo of a King parrot feeding on seeds of a Coastal Tea Tree Gaudium laevigatum in his garden.
A recent exercise I set for students was to make an ikebana in a suiban with 5 - 7 materials. This task is not as easy as it seems. Taking into account the volumes of the different materials can be quite a challenge.
In my Torquay class...
Ellie used an unopened Asiatic lily Lilium, Statice Limonium, Lisianthus Eustoma, Rose, Snapdragon, Jerusalem sage Phlomis fruticosa and Nasturtium Tropaeolum.
Maree's exercise was to make an ikebana of Iris in the traditional style as taught in the Sogetsu School.
My ikebana this week is my contribution for the recent annual exhibition of the Victorian Branch of the Sogetsu School, of which I was the curator. Because I knew I would be very busy in that role, I reworked a sculpture I made for a demonstration last year. The principal structure was made from two branches of Weeping Elm Ulmus. For fresh material, I added two Gymea leaves which encased a mass of Dock weed Rumex, the seed-head of which had started to turn red.
The structure is 1.4m high and 1.8m wide. The branches are secured with wooden dowels and the ceramic "half pillow" vessel is by Graeme Wilkie.
Greetings from Christopher
FRESH and DRY MATERIAL
I did not have the opportunity of a trial run. So, I made sure that I had materials for plan B. Plan A was to use an interesting piece of driftwood with three radiating branches. I soon realised that it was both too heavy and too large in diameter to be safely stabilised in the tall, narrow ceramic work. My plan B material was three very light, broad and spiralling pieces of dried Banana plant Musa, and three fresh Gymea leaves Doryanthes palmeri.
This shows the finished work on the day of the Exhibition opening, which was yesterday. I have taken the photo with a flash to reveal the beautiful surface of the vessel in particular. Some rather rusty-looking markings are also noticeable on the Gymea leaf that points downward to the left across the front of the ikebana.
SOGETSU ANNUAL EXHIBITION at ABBOTSFORD CONVENT
In this example from 2009 I used newspaper which I "pleated" into flame-like forms and added dried Dracaena draco stems and part of a dried seed pod.
HARMONISING COLOURS
SCOTCH BROOM
I was really surprised when I saw this large mauve-coloured Echium candicans cascading over a near by fence. The fence is about 1.8m high.
This other example, in another nearby garden, has bluish flowers.
AN ARRANGEMENT SET ON THE FLOOR
Lyn made her mass with Euphorbia and set some pale,dried roses within the mass. She used Irises for her line material.
Pamela used some home-grown Cymbidium orchids for her line and Cushion Bush Leucophyta brownii, for the mass.
It is important to note that, in the Sogetsu School, a mass has to be created by the ikebanist. It is not correct to use a single naturally-occurring mass such as a Hydrangea flowerhead or like the large Gymea inflorescence used by Helen below. However, using two or more such naturally occurring flowerheads is acceptable. Also a mass may be created with multiple materials or just one kind of material.
When Helen spoke about her ikebana she acknowledged that it did not meet the requirements of the exercise and therefore was a freestyle arrangement. She explained that she had cut the single, very large inflorescence, and leaf of Gymea Doryanthes palmeri, from her garden. She was interested to experiment in the class, with techniques for fixing such heavy material. Her interest was with a view to possibly use this material in a future exhibition.
Ellie used a single branch of drift wood for the line and five Banksia coccinea flowers to make the mass. The interesting vase is made from sections of large diameter plumbing pipe joined together and painted red.
Jo used a ceramic hot water bottle as her vessel. She then set a single line using a dried branch, and created a mass of using dried Serruria florida flowers. A single long green leaf was added to give a feeling of freshness.
Maree's ikebana exercise was "Composing with branches, a two step approach." In this exercise she first made the branch structure so that it would stand self-supporting on the table. It was then repositioned on the vase with the addition of a Tree Philodendron P. bipinnatifidum, leaf and a single Aurm Lily Zantedeschia, flower.
On the 14th of the month, I joined my Ikebana International Melbourne colleagues on an outing to the Ferny Creek Horticultural Society Garden. It is situated at the foot of the Dandenong ranges, which are famous for the spectacular Mountain Ash wet Eucalypt forest.













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